|
|
-
Localization: Plaça del
Mercadal, 5
- Poblation:
43201 Reus
- Information phone: 977 778 149 (Tourist
Information Centre of Reus)
- Opening hours:
Check it at Reus tourist information centre
Opening hours vary depending on the time of year Book in advance
at Reus tourist information centre.
- Rates: Check
it at Reus tourist information centre. |
Casa Navàs
is, indeed, the most emblematic Art Nouveau building in Reus. It is
knows as "la guapa del Mercadal" (the beatiful house at
Mercadal square). It was commissioned by Joaquim Navàs and
Pepa Blasco to Lluís Domènech i Montaner in 1902, with
no budget restriction.
Navàs' family were very wealthy. They prospered with a fabric
store set up in the XIX century at Mercadal square. They wanted
to open a new establishment at the same place, but in a Parisian
style. Their project was successfully finished and, today, the store
is run by a society that has preserved its dimensions and decoration
disigned by Domenech i Montaner.
During the construction of Casa Navàs, Domènech i
Muntaner was working simultaniously on Casa Lamadrid and Casa Lleó
i Morera and on the Fonda Espanya. They were all of them in Barcelona
and very similar to Casa Navàs.
However, Casa Navàs boasts a special charisma, as it is
the only Art Nouveau work, which has survived with all its elements
intact. Besides, it is well integrated in the square with its arches.
The main façade, which links up to the square, is held up
by 5 columns and 5 arches of sinuous lines, widely reproduced by
local disign in catalogues, booklets and all sort of publications.
On the first floor, its lines are in baroque style and its Art Nouveau
curves turn into gothic features, pinnacles, lintels bearing floral
motifs
At the gallery, characters, dressed up in the early
century style, protude with their stylised faces.
On the second flor, the arches from the ground floor become smaller
and, above the belvedere, one can see a horseshoe arch that is a
terrace full of flower pots. It is on this floor, where one can
notice the damage caused by the bomb in 1938, which destroyed the
tower, the crowning and half of the glass work.
As for the interior decoration, let us start with the basements:
during the Civil War they were communicated with the public shelter
at the square in order to provide space for as many people as possible.
Nowadays, they are no longer in use.
At the entrance hall, one can distinguish the burst of colour, which
become more intense while going upstairs. Once we are inside, one
can appreciate the walls of the staircase, the spouted-shaped mosaics
on the walls, almond-trees and oleanders in bloom, and the flower-shaped
floor, the glass work of the ceiling, shapped like a withered rose
and the finesse of the marble handrail. So many elemenents shapped
like flowers and leaves that make us feel as if we were inside of
the "garden of stone and glass", as the house is often
called.
On the second floor, the mosaic turns into a sky with birds flying.
The naturalistic repertoire inside the house is inexhautible. It
is conducted throught ceramics, its mosaic, its wood woork, its
furniture and by the light and the colour of the glass work.
Other interesting parts of the first floor are the dinner-room,
decorated with motifs of oranges, with a small chimeney, and the
luminous exit to the balcony at the corner; the room that contains
the finest Gaspar Homar's furniture; the living-room, with its impressive
mosaic on the ceiling; the kitchen with its service lift and the
atmosphere of that time, and the bureau.
|